SHEILA PEPE
EDUCATION |
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1995 | Master of Fine Arts, School of the Museum of Fine Arts —Tufts University, Boston, MA |
1994 | Skowhegan School of Painting and Sculpture, Skowhegan, ME |
1984 | Haystack Mountain School of Crafts, Blacksmithing, Deer Isle, ME |
1983 | Bachelor of Fine Arts in Ceramics with Distinction, Massachusetts College of Art, Boston, MA |
1981 | Bachelor of Art, Albertus Magnus College, New Haven, CT |
SOLO EXHIBITIONS |
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2012 | Pepe and Puntar's Lucid Dream Lounge with Special Guests....(two person exhibition with Diana Puntar), Participant, Inc. New York, NY |
Common Sense Athens, American College of Greece, Athens | |
2011 | Sheila Pepe: Common Sense, Chicago, He Said She Said, Oak Park, IL |
Common Sense and Other Things, Carroll and Sons Gallery, Boston, MA | |
2010 | Simple Drawing, Arts on the Point, University of Massachusetts, Boston, MA (public commission) |
2009 | Yo Mama: Sheila Pepe and Friends, Dust Gallery, Las Vegas, NV |
Common Sense: A Collaboration with Curator Elizabeth Dunbar, Testsite/Fluent - Colab, Austin, TX | |
2008 | Red Hook at Bedford Terrace, Smith College Museum of Art, Northampton, MA |
Sheila Pepe: Drawing in Space, Wayne State University, Detroit, MI | |
2007 | BUS LINES: Drawing Center/River-to-River Festival's Big Draw, World Financial Plaza and Wintergarden, New York, NY |
2006 | Mine Ayn, Rowland Contemporary, Chicago, IL |
2005 | Mind the Gap, University Gallery, University of Massachusetts, Amherst, MA (catalogue) |
Hot Lesbian Formalism, Sesnon Gallery, University of California, Santa Cuz, CA | |
Tunnel, Jersey City Museum, Jersey City, NJ (catalogue) | |
2004 | Two Women: Carrie Moyer and Sheila Pepe, Palm Beach Institute of Contemporary Art, Lakeworth, FL (catalogue) |
Bridge and Tunnel, Susan Inglett Gallery, New York, NY | |
I Love New York, Bernard Toale Gallery, Boston, MA | |
2003 | From Delancy and Clinton, Santa Barbara Contemporary Arts Forum, Santa Barabra, CA |
Under the F & G, Visual Art Center of Richmond, VA (catalogue) | |
2002 | Susan Inglett Gallery, New York, NY |
Come Fly with Me, The Weatherspoon Art Museum, Greensboro, NC | |
High Hopes, The Clifford Gallery, New York, NY | |
2000 | Shrink, Zilkha Gallery, Wesleyan University, Middletown, CT (catalogue) |
Josephine, Thread Waxing Space, New York, NY (catalogue) | |
1999 | R&D, Judy Ann Goldman Fine Art, Boston, MA |
Priming the Audience, The Bunting Institute, Radcliffe College, Cambridge, MA | |
Strings, Things and Pictures, The Mills Gallery at the Boston Center for the Arts, MA (catalogue) | |
Jennjoy gallery, San Francisco, CA | |
1998 | Susan Inglett Gallery, New York, NY |
Pull, Provincetown Art Association and Museum, Provincetown, MA | |
1997 | Fix Flex, Reflux, Judy Ann Goldman Fine Art, Boston, MA |
1996 | Part and Parcel, Trustman Gallery, Simmons College, Boston, MA |
Exquisite Corpse for One: The Many Betweens, Mobius, Boston, MA | |
1994 | Work from the Doppelganger Series, 88 Room, Allston, MA |
SELECTED GROUP EXHIBITIONS |
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2012 | Lehman College Art Gallery, Bronx, NY (forthcoming) |
NetJets private event, Miami, FL | |
2011 | A Room, in Three Movements, Sue Scott Gallery, New York, NY |
Paper A-Z, Sue Scott Gallery, New York, NY | |
2010 | Hand + Made, curated by Valerie Cassel Oliver, Contemporary Arts Museum Houston, TX |
2009 | whitey on the moon/white hot money, curated by Kanishka Raja, 106 Green, Brooklyn, NY |
Pratt Prints, Gallery Belas Atres University Gallery, São Paolo, Brazil | |
SOMArts / Queer Cultural Center, San Francisco, CA, THREADS, curated by Tirza Latimer, Allison Smith and others | |
2008 | Pratt Prints, Gallery Gravura Brasileira, São Paolo, Brazil |
Artcrush, Jenny Jaskey Gallery at 220 Rittenhouse Place, Philadelphia, PA | |
The Future Must Be Sweet: Lower East Side Printshop Celebrates 40 years, curated by Marilyn S. Kushner, International Print Center New York, NY, NY. | |
Crossing Disciplines: Light, curated by Keith Sonnier, Rubelle and Norman Schafler Gallery, Pratt Institute, New York, NY | |
Radical Lave and Subversive Knitting, reinstalled “Midtown,” Scottsdale Museum of Contemporary Art, Scottsdale, Az | |
Pink and Bent: the Art of Queer Women, Leslie/Lohman Gay Art Foundation, New York, NY | |
Color in 3D: Found, Applied, and Readymade, curated by Saul Ostrow, WestportArts Center, Westport, CT | |
Radical Lave and Subversive Knitting, reinstalled “Midtown,” Indiana State Museum, Indianapolis, IN |
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Sheila Pepe, Colby Brewer and Me: A collaborative installation with the public, Utah Museum of Fine Arts, University of Utah, Salt Lake City, UT | |
Empire of This, curated by Janet Phelps, Claire Oliver Gallery, NY, NY | |
Break the Rules!, Manheim Kunstverein, Manheim, Germany | |
2007 | Liquid Sky, collaborated will Ball-Nogus Architects, designed and crafted seating, PS 1/ MoMA, Long Island City, NY |
Quiet Riot, curated by Julian Kreimer and Karolyn Hatton, March Gallery, New York, NY | |
Material Pursuits, Fleming Museum, Burlington, VT | |
Arte Povera Oggi. Per una nuova arte di guerriglia (Poor Art Today. For a New Guerrilla Art), ESSO Gallery, NYC |
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Shared Women, L.A.C.E., Los Angeles, CA | |
Radical Lace & Subversive Knitting, Museum Of Arts and Design, NYC | |
2006 | Flex Your Textiles, curated by Ginger Books Takahashi and Trevor Boyer, John Connelly Presents |
The Line of Beauty, Kathleen Cullen Fine Art, New York, NY | |
Two Friends and So On, Andrew Kreps Gallery, New York, NY | |
I Was a Sunbeam, David Krut Projects, New York, NY | |
When Artists Say We, Artists Space, New York, NY | |
2005 | Crossing Disciplies: Drawing, Schaffler Gallery, Pratt Institute, Brooklyn, NY |
Everyday Objects, Sun Valley Center for the Arts, Ketchum, ID | |
2004 | Compound Interest, Collaborative Concepts, Beacon, NY |
NeoQueer, CoCA, Seattle, WA | |
VideoMUTE, The Judi Rotenberg Gallery Annex, Boston, MA | |
The Armory Show, with Susan Inglett Gallery, New York, N Y. March 11-15 | |
2003 | Project Spaces, curated by Lauri Firstenberg and Jenn Joy, Artists Space, New York, NY |
Manic, curated by Nancy Doll, D.U.M.B.O. Art Center, Brooklyn, NY | |
The Armory Show, with Susan Inglett Gallery, New York, N Y. March 6 –10 | |
2002 | Brooklyn: Next Next Visual Art, curated by Dan Cameron, Brooklyn Academy of Music, NY |
The Photogenic, curated by Ingrid Schafner, Institute of Contemporary Art, Philadelphia, PA (catalogue) | |
Grotto, Jessica Murray Projects, Brooklyn, NY | |
Flat/Not Flat, Judy Goldman Fine Art, Boston, MA | |
2001 | Verging on Real, curated by Jennifer McGregor, Wave Hill, Bronx, NY (catalogue) |
The Energy Inside, curated by Dan Strong, Faulconer Gallery, Grinnell College, Grinnell, Iowa (catalogue) | |
Susan Inglett Gallery, New York, NY | |
2000 | Greater New York, P.S.1 Contemporary Art Center, Long Island City, NY (catalogue) |
The End, Exit Art/The First World, New York, NY | |
1999 | Arrested Ambition, curated by Gregory Williams, Apex Art, New York, NY (catalogue) |
Museum School Traveling Scholars 1998, Museum of Fine Arts, Boston, MA (catalogue) | |
Frontline, The Boston Athenaeum, Boston, MA (catalogue) | |
Compliments, The Educational Alliance, New York, NY | |
1998 | Art on Paper, The Weatherspoon Art Museum, Greensboro, NC |
Drawing the Question, curated by Jennifer Gross and Susan Harris, Dorsky Gallery, New York, NY (catalogue) | |
Elbowroom, curated by Maria Friberg and Monica Larsen Dennis, Tredje Sparet, Stockholm, Sweden (catalogue) | |
Chaos, Control, Chaos, Control. You Like? You Like, curated by Annette Lemieux, Elias Fine Art, Boston, MA | |
1997 | Drawing and Painting, Wooster Gardens, New York, NY |
Gothic, curated by Christoph Grunenberg, Institute of Contemporary Art, Boston, MA (catalogue) | |
Grammercy International Contemporary Art Fair with Judy Ann Goldman Fine Art, NY, NY | |
Hollywood Premiere: Just for the Night, Hollywood Premiere Motel, Los Angeles, CA | |
1996 | The Lois Foster Exhibition of Boston Area Artists, Part Two, Rose Art Museum, Waltham, MA |
Integer, curated by Lia Gangitano, Woodstock Center for Photography, Woodstock, NY | |
Fictions, curated by Marcella Beccaria, Galleria Guido Carbone, Turino, Italy (catalogue) | |
Between Desire and Dementia, Salon 75, Brooklyn, NY | |
Fuzzy Logi, a screening, Institute of Contemporary Art, Boston, MA | |
Pet Paintings, Bernard Toale Gallery, Boston, MA | |
Hippie, curated by Andrew Guthrie, 88Room, Allston, MA | |
1995 | Way Cool, Exit Art/ The First World, New York, NY |
Fake I.D., curated by Lia Gangitano, 88Room, Allston, MA | |
Angels, Barbara Krakow Gallery / Howard Yezersky Gallery, Boston, MA | |
AWARDS |
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2011 | Anonymous Was a Woman Award |
Art Matters Grant | |
Yaddo, Saratoga Springs, New York: The Milton and Sally Michael Avery Residency for Artists | |
2009 | Joan Mitchell Foundation Grant |
2004 | Lower East Side Printshop Publishing Residency, New York, NY |
Rhode Island School of Design Professional Development Grant | |
2001 | The Louis Comfort Tiffany Foundation Award |
1999 | ART/ OMI International Art Residence, Ghent, NY |
1998 | Mary Ingraham Bunting Fellowship at Radcliffe College |
School of the Museum of Fine Arts Traveling Scholarship | |
1997 | Provincetown Art Association and Museum National Annual Award, Juror: Milena Kalinovska. |
1994 | Geraldine R. Dodge & Ann and Graham Gund Fellowships, Skowhegan School of Painting and Sculpture |
1984 | Scholarship Recipient, Haystack Mountain School of Crafts, Deer Isle, ME |
PUBLIC COLLECTIONS |
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Chambers Hotel, New York, NY | |
Harvard University Art Museums, Cambridge, MA | |
Goldman Sachs, New York, NY | |
Jersey City Museum, NJ | |
List Visual Art Center, MIT, Cambridge, MA | |
Rose Art Museum, Brandeis University, Waltham, MA | |
Simmonds College, Boston, MA | |
Smith College Museum of Art, Northampton, MA | |
Ritz Hotel, Boston, MA | |
CATALOGUES/BOOKS |
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Barber, Jennifer, ed, Salamander, Vol.4 No.2. Brookline, MA, 1997 | |
Bancroft, Shelly, ed. Strings Things and Pictures. Boston: Mills Gallery, Boston Center for the Arts, 1999 | |
Barkan, Hope, and Michael Wentworth. Frontline: Ten Contemporary Draughtsman in New England. Boston Athenaeum, 1999 | |
Beccaria, Marcella. Fictions. Turino, Italy: Galleria Guido Carbone, 1996 | |
Blacklow, Laura. New Dimensions in Photo Process. Boston: Focal Press/ Elsevier, 2007 | |
Blau, Phyllis, and Eric Vieland. 7 Objects/69/90. Amherst, MA: University Gallery, University of Massachusetts, 1990 | |
Davies, Diana. Photojourney. Belfast, Maine: Bag Lady Press, 1989 | |
Dunbar, Elizabeth. Declerate. Kansas City: Kemper Museum, 2005 | |
Gangitano, Lia. Josephine. New York: Thread Waxing Space, 2000 | |
Grunenberg, Christoph. Gothic: Transmutations of Horror in the Late Twentieth Century. Boston: MIT Press, 1997 | |
Hammond, Harmony. Lesbian Art in America: A Contemporary History. New York: Rizzoli, 2000 | |
Harris, Susan, and Jennifer Gross. Drawing the Question/Drawing a Conclusion. New York: Dorsky Gallery, 1998 | |
Hieber, Lutz and Martin Stather, Break the Rules. Mannheim, Germany: Mannheimer Kunstverein, 2008 | |
Jersey City Museum. First Look: The Essential Guide to Jersey City Museum. New Brunswick: Rutgers University Press, 2006 | |
Joy, Jenn with Helaine Posner, Sheila Pepe and Judy Pfaff, Mind the gap, Amherst, MA: University Gallery, University of Massachusetts, 2006 | |
Kistler, Ashley. On Site/Artists’ Projects: Under the F&G. Richmond, VA: Hand Workshop Art Center, 2003 | |
Klose, Stephanie and Cathy Maquire. Lion Brian Yarn: Just Bags. New York: Potter Craft, 2006 | |
Kushner, Marilyn S. The Future Must be Sweet – . New York: Lower East Side Printshop, 2008 | |
McFadden, David. Radical Lace and Subversive Knitting. New York: Museum Of Arts and Design, 2007 | |
McGregor, Jennifer. Verging on the Real. New York: Wave Hill Glyndor Gallery, 2001 | |
Nahas, Dominique. Shrink. Middletown, CT: Wesleyan University, 2000 | |
Posner, Helaine. High Hopes. Hamilton, NY: Colgate University, 2002 | |
Rush, Michael, and Dominique Nahas. Two Women: Carrie Moyer and Sheila Pepe. Lake Worth, FL: Palm Beach Institute of Contemporary Art, 2004 | |
Schaffner, Ingrid. The Photogenic: Photography through Its Metaphors in Contemporary Art. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2002 | |
Williams, Gregory. Arrested Ambition. New York: Apex Art Curatorial Program, 1999 | |
REVIEWS / ARTICLES |
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2011 | Fisher, Naomi. “Critics Picks: A Room, in Three Movements.” artforum.com (January 2011) |
McQuaid, Cate. “Sheila Pepe’s Strings, Attached and Removed.” boston.com (26 January 2011) | |
Staff, “Goings on About Town: Art: A Room, in Three Movements” The New Yorker (14 & 21 January 2011) | |
2010 | Gschwandtner, Sabrina, “Yo Mama.” Interweave Knits, Spring 2010 |
2009 | Weerts, Emily, “A Stitch in Time: Common Sense at testsite,” austinist.com (26 June 2009) |
2008 |
Carlin, T.J., “Studio Visit: Sheila Pepe.” Time Out New York (4-10 September 2008): 98 |
Carlin, T.J., “Empire of This.” Time Out New York (17-23 January 2008): 64 | |
Diane, in Elmerst, Queens: “Letter of the Week/ Reply All.” Time Out New York (18-24 September 2008): 4 | |
Hoge, Sharon King and Andreas Kornfeld. “Color in 3D.” Connecticut Cottages & Gardens (September 2008): 102. | |
Kirk, Andrew. “Stringy art a work in progress.” Deseret Morning News (23 March 2008) | |
Parnass, Larry. “Long Ties bind installation artist to Smith museum,” Daily Hampshire Gazette (12 September 2008) | |
Slowinski, Dolores S., Metro Times: Detroit’s Weekly Alternative. (6 February 2008) | |
Staff, “Color in 3D” opens April 18 at Westport Arts Center.” Norwalkplus.com (7 Apr 2008) | |
“Westport Arts Center presents two public arts talks.” Norwalkplus.com (7 May 2008) | |
2007 | Gardner, James, “ P.S. 1 in the Sun,” The New York Sun (June 28, 2007) |
2006 | Thorson, Alice. “Deliberate Deceleration,” Kansas City Star (January 8 2006) |
2005 | Rewdwine, Nancy. “Strings Attached,” Santa Cruz Sentinel (15 January 2005): B6 |
Klose, Stephanie. "From Lap to Lift." Knit Knit 5 (2005) | |
Nash, Margo. “A Family Portrait, in Crochet and Shoelaces,” The New York Times (August 7, 2005): NJ11 | |
2004 | Barnett, Kari. “Summer art exhibition opens at PBICA.” Lake Worth Forum (29 June 2004): 3 |
Feinstein, Roni. "Carrie Moyer and Sheila Pepe at the Palm Beach Institute." Art in America (December 2004) | |
“Galleries: An artist weaves her love of New York City into her work.” Boston Globe (12 March 2004) | |
Glueck, Grace. “Art in Review, Bridge and Tunnel.” New York Times (5 March 2004) | |
Halden, Loann. “Art, activism and intimacy.” TWN Weekly News (8 July 2004) | |
Holliday, Frank. “A Partnership of Ideals.” Gay City News (5–11 August 2004) | |
Joy, Jenn. ”Two Women: Carrie Moyer and Sheila Pepe.” Contemporary, no. 68 (2004): 67 | |
Lombardi, Dominick. "Students, Teachers and Mentors." New York Times (28 March 2004) | |
Ryan, Dinah. “Sheila Pepe: Risking Reference, Allowing Allusion.” Sculpture Magazine 23, no. 7 (September 2004): 20 | |
Schwan, Gary. “Diverse offerings of ‘Two Women.’” Palm Beach Post (20 June 2004) | |
Sheffield, Skip. “Two women artists…” Boca Raton/Delray Beach News (25 June–1July 2004): 13E | |
Sjostrom, Jan. “Two-woman show depicts hands-on art.” Palm Beach Daily News (18–21 July 2004) | |
Turner, Elisa. “A nuanced past is transformed into the present.” Miami Herald (16 August 2004) | |
Yee, Ivette M. “The female perspective.” South Florida Sun-Sentinel (5 July 2004) | |
2003 | "Bridge of Sighs and Shoestrings." Santa Barbara Independent 17, no. 868 (10–17 July 2003): 49 |
Budick, Ariella. “Apprentices, Curators of their Mother’s Art.” Newsday (9 May 2003): B19 | |
Donelan, Charles. "New York City on a Shoestring." Santa Barbara News Press (18–24 July 2003): 6 | |
Dreiss, Joseph. “Richmond, Virginia, Sheila Pepe...” Art Papers (July/August 2003): 40 | |
Levan, Lori Don. “My Mother’s an Artist.” NY Arts (June/July/ August 2003): 50 | |
“My Mother’s an Artist.” New Yorker (26 May 2003) | |
Perez, Rebecca. “My Mother’s an Artist...” Gotham Magazine (May 2003) | |
Proctor, Roy. “Art supplies: a crochet hook and shoestring.” Richmond Times-Dispatch (2 February 2003) | |
“Sculpture Forever.” Flash Art (July/September 2003): 105. 2002 |
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Scott, Andrea. “Goings On About Town.” New Yorker (27 May 2002): 18 | |
Levin, Kim. “Voice Choices...Sheila Pepe...” Village Voice (21 May 2002) | |
Ryesky, Helene. "Photography Seen." Art Matters (April 2002): 20 | |
Salcman, Michael. "The Photogenic : Photography Through Its Metaphors in Contemporary Art." PEEkreview.net (2002) | |
Schaffner, Ingrid. "The Unphotographable." Art on Paper (March-April 2002): 58 | |
Sozanski, Edward. "A Puzzle and a Provocation." Philadelphia Inquirer (10 March 2002): H-7 | |
2001 | Parker, Lauren. “Knock Knock.” Smock (Spring/Summer 2001): 100–107 |
2000 | Buskirk, Martha. “Planning for Impermanence.” Art in America (April 2000): 116 |
Lloyd, Ann Wilson. “Sheila Pepe at the Boston Center for the Arts.” Art in America (July 2000): 114 | |
Sirmans, Franklin. “Greg Coates … + Sheila Pepe…” Time Out New York (24 February–2 March 2000): 71 | |
1999 | Sherman, Mary. “Shape, Shadow prime viewers at Bunting.” Boston Sunday Herald (18 April 1999): 55 |
1998 | Burns, Joe. “Shadow play shapes Sheila Pepe’s art.” Provincetown Banner (14 May 1998) |
Chambers, Christopher. “Picks.” NY Arts (May 1998): 42 | |
Kotz, Liz. “Shadow Dancing.” OUT Magazine (May 1998): 62 | |
Scott, Whitney. “Must Gallery.” New York Post (25 April 1998): 29. | |
1997 | “Artists to translate…” Boston Globe (18 November 1997) |
Beccaria, Marcella. "Sheila Pepe: The Spaces Between." Artmedia (January/February 1997): 35 | |
Cotter, Holland. “Drawings and Paintings.” New York Times (19 September 1997): E37 | |
Gangitano, Lia. "Integer." Photography Quarterly 69, vol. 4, Center for Photography at Woodstock (1997) | |
Raymond, David. "The Institute of Contemporary Art/Boston Gothic." Art New England (October/November 1997): 61 | |
Smith, Roberta. “The Horror: Updating the Heart of Darkness.” New York Times (1 June 1997): 33 | |
Snyder, Dean. "No B.I.A.S. exhibit celebrates artists' drawings." Bennington Banner (16 January 1997): 19 | |
1996 | Cohen, Joyce. "Art in a Natural Setting." Art New England (June/July 1996) |
Levi, Paolo. "La Mostra." La Repubblica (July 1996) | |
Quaid, Cate. "'Eccentricities'...'Hippie' is an anonymous..." Boston Globe (14 March 1996) | |
Mulatero, Ivana. "Storie delicatamente incoerenti." Corrieredell’arte ( 22 June 1996) | |
Perrott, Jeff. "Fictions: Marcella Beccaria and the Boston-Torino Connection." Artsmedia (Summer 1996): 31 | |
"Pitura e scultura cercano nuovi liguaggi/Inquietani collages e ironiche 'Fictions'." La Stampa (27 June 1996) | |
Staff. "Arrivano dagli USA Fra ironia, horror, e linee post-punk di giovani artisti." La Stampa (4 June 1996) | |
Temin, Christine. “Perspectives.” Boston Globe (22 May 1996): 66 | |
1995 | MacDonald, Christine. "State of the Art: VideoSpace." Boston Phoenix (6 October 1995) |
Morgan, Robert C. "A New York Spring." Cover (Summer 1995): 63 | |
Wildman, David. "Artitsts draw freely on word hippie." Boston Globe (25 February 1995): C11 | |
Hoge, Sharon King and Andreas Kornfeld. “Color in 3D.” Connecticut Cottages & Gardens (September 2008): 102 | |
1991 | "Women's image that endures." Daily Hampshire Gazette (2 May 1991): 23 |
1990 | Wright, Patricia. "Roaming galleries in search of..." Daily Hampshire Gazette (22 August 1990): 27 |
TEACHING EXPERIENCE |
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2010- | Special Assistant to the Dean for Academic Affairs, School of Art and Design, Pratt Institute, Brooklyn, NY |
2006- 2010 |
Assistant Chair, Fine Arts, Pratt Institute, Brooklyn, NY Adjunct Associate Professor: Graduate Symposium (Fall 2006-Fall 2010) |
2002- 2006 |
Visiting/ Adjunct Associate Professor, Pratt Institute, Brooklyn, NY: Fine Arts, Junior Sculpture Studio, Graduate Drawing into Sculpture (Fall, 2005) |
Part-time Faculty, Rhode Island School of Design, Providence, RI: Experiments in Drawing, Graduate Seminar (Paint Dept); Senior Studio (Sculpt Dept.) |
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From Sketch to Finish Wintersession, France (Paint Dept.): Making Multivalence (Graduate Studies) | |
2002 | Visiting Artist/ Faculty, Virginia Commonwealth University, Richmond. Sculpture: Senior & Grad Critique (spring) |
Visiting Faculty, Bard College, Anandale-on-Hudson, NY: Looking Out Loud: Sculpture & Painting (spring) | |
2001 | Part-time Faculty, Rhode Island School of Design, Providence, RI. Sculpture Department: Figuring the Body (fall) |
Visiting Faculty, Bard College, Anandale-on-Hudson, NY: Senior Studio, co-taught with Nayland Blake | |
Faculty, The New School, New York, NY: Introduction to Drawing | |
Visiting Faculty, Williams College, Williamstown, MA. Winter Study: Political Art, co-taught with Carrie Moyer | |
2000 | Visiting Faculty, State University of New York, Purchase, NY. Drawing: Advanced (spring), Intermediate (fall) |
Co-teacher invited by Judy Pfaff, Bard College, Anandale-on-Hudson, NY: Advanced Sculpture (fall) | |
Instructor, The Educational Alliance, New York, NY: Drawing (fall) | |
1999 | Part-time Lecturer in Art, Williams College, Williamstown, MA: Accelerated Drawing I, Advanced Drawing, and Junior Studio Seminar |
1998 | Graduate Advisor, Massachusetts College of Art, Boston, MA. Sculpture (fall) |
1997-98 | Visiting Faculty, Massachusetts College of Art, Boston, MA: Advanced Sculpture Studio; Graduate Advisor Studio of Interrelated Media and Sculpture |
1996-97 | Visiting Assistant Professor of Art, Williams College, Williamstown, MA: Accelerated Drawing I, Drawing I, Junior Studio Seminar and Lecture Course: Expanding the Visual Field: 1945 to the Present |
1995-96 | Artist-in-Residence/ Faculty, Brandeis University, Waltham, MA: Introduction to Drawing, 3-D Design |
Guest Lecturer, Smith College, Northampton, MA: Vision and Visuality in Dance Composition | |
Adjunct Faculty, School of the Museum of Fine Arts Boston, MA: On Copying & Appropriation | |
1994-95 | Graduate Instructor, School of the Museum of Fine Arts, Boston, MA: Making Sculpture in Boston, Introduction to Video, New Student Seminar, Section Leader: Postmodernism and After |
1993-94 | Teaching Assistant, School of the Museum of Fine Arts, Boston, MA: Core Sculpture Seminar, Representing Genders and Sexualities |
1990-92 | Instructor, School of the George Walter Vincent Smith Art Museum, Springfield, MA |
1985 | Instructor, The Women's School, Cambridge, MA |
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GUEST LECTURES/CRITIQUES |
2012 | Anderson Ranch, workshop instructor |
2011 | Skowhegan WALKS event at the Metropolitan Museum of Art, New York, NY |
2010 | Yale University, New Haven, CT. Graduate Sculpture |
Textile Study Group of New York City, NY | |
University of Massachusetts, Boston (Harbor Campus), MA | |
Women's Art Institute at the Minneapolis College of Art and Design, MN | |
2009 | Vermont Studio Center, Johnson, VT. Resident Artist |
2008 | Vermont Studio Center, Johnson, VT. Resident Artist |
Wayne State University, Detroit, MI, Artist Lecture | |
Massachusetts College of Art, Boston, MA. Artist Lecture and Graduate Painting Critiques | |
2007 | RISD, Providence, RI. Artist Lecture and Graduate Printmaking Critiques Graduate |
University of the Arts, Philadelphia, PA. Artist Lecture, Painting Critiques | |
Sarah Lawrence College, Bronxville, NY. Artist Lecture, Painting Critiques | |
Cornell University, Ithaca, NY. (Studio visit in Brooklyn) | |
School of the Museum of Fine Arts, Boston, MA. Four Painters: Artist Lecture, Painting Critiques | |
2006 | Spencertown Academy Arts Center, Spencertown, NY. Exhibition walkthrough with Carrie Moyer |
Williams College, Williamstown, MA. Lecture and Senior Majors Critiques | |
Munson-Williams-Proctor Art Institute, Utica, New York. Visiting Artist Lecture | |
2005 | NY Studio Program, New York, NY. Visiting Artist Lecture |
Rutgers, Mason Gross School of the Arts, New Brunswick, NY. Lecture and MFA Critiques | |
UCSC, Santa Cruz, CA. Public Lecture and various Sculpture class meetings and discussions | |
2004 | Rhode Island School of Design, Providence, RI. Digital Media Department MFA Critique |
University of the Arts, Philadelphia, PA. MFA Final Critique | |
2003 | University of Tennessee, Knoxville, TN. Lecture and MFA Critiques |
Montclair State University, Upper Montclair, NJ. Lecture and MFA Critiques | |
Penn State University, State College, PA. School of Visual Arts Lecture Series | |
Montclair State University, Upper Montclair, NJ, Artforum Lecture Series | |
Virginia Commonwealth University, Richmond, VA. Sculpture Department, MFA Studio Visits | |
2002 | New York University, New York, NY. Performance Studies. Fast Cheap and Out of Control: Ephemeral |
NY Studio Program, New York, NY. Lecture and Critiques | |
2000 | Rhode Island School of Design, Providence, RI. Junior Sculpture Studio |
Pratt Institute, New York, NY, invited by John Monti, Senior Seminar | |
Rhode Island School of Design, Providence, RI. Department of Architecture, invited by Frano Volich | |
Harvard University, Cambridge, MA. G.S.D. Dry Wall, invited by Sheila Kennedy | |
New York University, New York, NY. Gallery Talk at Thread Waxing Space, invited by Beverly Semmes | |
1999 | Harvard University, Cambridge, MA. V.E.S., Drawing, invited by Annette Lemieux |
Parsons School of Design, New York,, NY. Senior Studio, visiting Instructor for Heide Fasnacht | |
Massachusetts College of Art, Boston, MA. Graduate Seminar | |
1997-98 | Massachusetts College of Art, Boston, MA. Critic for Sculpture Semester End Review Boards |
Quinipiac College, Hamden, CT. invited by Lynda Benglis | |
1997-98 School of the Museum of Fine Arts, Boston. Graduate Reviews |
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Rose Art Museum, Waltham, MA. An Artists View: Joseph Marioni Paintings | |
School of the Museum of Fine Arts, Boston, MA. On the Exhibition Queer Ground | |
Smith College, Northampton, MA. Guest Lecturer, Art and Music (spring and fall semester) | |
School of the Museum of Fine Arts, Boston, MA Second Year MFA Seminar | |
Williams College Department of Art, Williamstown, MA, Senior Tutorial | |
1996-97 | Institute of Contemporary Art, Boston, MA. Gallery talk: Gothic with curator Christoph Grunenberg |
Rhode Island School of Design, Providence, RI. Queer Arts Fest | |
Institute of Contemporary Art, Boston, MA. Artists-On Artists Gallery Talk: Cildo Meireles | |
School of the Museum of Fine Arts, Boston, MA. MFA Reviews | |
1995-96 | Parsons School of Design, New York, NY. Junior Studio |
School of the Museum of Fine Arts, Boston, MA. MFA Reviews | |
Massachusetts College of Art, Boston, MA. Critic for Sculpture Semester End Review Boards | |
1994-95 | Harvard University, Cambridge, MA. V.E.S., Sculpture |
School of the Museum of Fine Arts, Boston, MA. Guest Instructor, Object a Week | |
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PANELS/SYMPOSIA |
2010 | “Mapping,” Academic Initiative Committee of the Faculty Senate, Pratt Institute, New York, NY. |
2008 | “Making Art in the World,” Pratt Institute, New York, NY. Moderator. |
2007 | “The Future of Feminism.” Brooklyn Museum, Brooklyn, NY. |
“Art Partners: The Erotics of Collaboration.” College Art Association Conference, New York, NY. | |
“Cracking the Contemporary Art Code 2007.” Museum of Fine Arts, Boston, MA. | |
2004 | “A Conversation with Sarah McEneaney.” Institute of Contemporary Art, Philadelphia, PA. |
2003 | “Radically Local.” Grace Theater in conjunction with Hand Workshop Art Center, Richmond, VA. |
2002 | “Artists Who Curate.” Nomads + Residents at 16 Beaver, New York, NY. |
“Slide Show: 7 Artist Talks.” Triple Candie, New York, NY. | |
2001 | “Notes from the City of Ambition.” paper delivered for the conference: Art Spaces in Gender Perspective, University of Bielefeld, Germany. |
1998 | “Degrees of Narrative: Visual Artists and Writers.” panel discussion organized for Rose Art Museum, MA. |
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EXHIBITIONS CURATED |
Mother May I?, Campbell Soady Gallery, New York, New York. 2007 | |
No Lemons, No Melon, David Krut Projects, New York, NY. April 2006 with Carrie Moyer | |
My Mother is an Artist, Gallery at the Educational Alliance, New York, NY. 2003 | |
Close to You, Gallery @ Green Street, Boston, MA.1999 | |
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WRITING/PUBLICATIONS |
Liquor Amnii 2: Notes, Mobius Artists Group & Macedonian Artist. Providence: Convergence X Festival, 1997. | |
M/E/A/N/I/N/G #4: Feminist Forum (2007) Online: http://writing.upenn.edu/pepc/meaning/04/ | |
New Prints: Autumn 2007, International Print Center, New York, NY. (Exhibition essay) | |
“Featured Artist Sebastiaan Bremer” Lower East Side Printshop Newsletter Winter, New York, 2007. | |
Taxing. Sarah McEneaney. Philadelphia: ICA, University of Pennsylvania, 2004. | |
Thesis Exhibitions 2002. Anderson Gallery, School of Arts/ VCU, Richmond. (Catalogue introduction) | |
To Soar: An Interview with Nancy Spero, Trivia: A Journal of Ideas. Amherst (Issue 16/17, fall 1990). | |
Reviews for Gay City News, New York, 2006: “Painter, Lesbian, Feminist … Louise Fishman,” Volume 5, number 8 | |
“The Operation of Collage.. Geoffrey Hendrick and Berty Skuber,” vol. 5 | |
Reviews for Gay City News, New York, 2005: “Sisterhood, Then and Now…Nancy Spero and Mary Kelly,” vol. 4, issue 46 | |
“Monumental Disparities… Sam Durant,” vol. 75, issue 41 | |
“Kim Jones’ Long War,” vol. 75, issue 37 | |
“Women Challenge a Male Domain… Gretchen Bender, Deb Kass & Mary Ellen Strom” vol. 4, issue 27 | |
“Eruptions Galore… Heide Fasnacht,” vol. 4, issue 2 | |
“Rubbery Remembrances… Diana Puntar,” vol. 4, issue 16 | |
“The Immediacy of Niagara… Cadence Giersbach,” vol. 4, issue 13 | |
“Harlequins Stripped of Romance… Jennifer Cohen,” vol. 4, issue 8 | |
Reviews for Gay City News, New York, 2004: “Soul of the machine… Saint Clair Cemin,” vol. 3, issue 345 | |
“Opulence as …Kristen Hassenfeld,” vol. 3, issue 340 | |
“Portraiture in Crisp… Karel Funk,” vol. 3, issue 331 | |
“What’s in a Genre...David Humphrey,” vol. 3 issue 317 | |
“Virtuosity and Seduction.. Domingo Barreres,”vol. 3 issue 301 | |
“Season to Create Protests,” vol. 3 issue 36 | |
Reviews for Gay City News, New York, 2003: “Established but still Feisty.. Williamsburg,” (feature) vol. 2 issue 47 | |
“Impressionism steeped.. David Korty,”vol. 2, issue 47 | |
“Brooklyn text… Joe Amrhein,” vol. 2, issue 44 | |
“Dressing... Senga Nengudi,”vol. 2, issue 40 |